चुपके चुपके (१९७५)


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 चुपके चुपके (१९७५)
 निदेशक :हृषिकेश मुखेर्जी
 लेखक : उपेन्डरनाथ गांगुली
संगीतकार : सचिन देव बर्मन
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Professor Parimal Tripathi (Dharmendra) is a botany professor who falls in love with Sulekha Chaturvedi (Sharmila Tagore) during a women's college botany excursion. Prof. Parimal Tripathi helps the bungalow watchman to get to his village downhill to enable him to see his grandson who's fallen ill. Meanwhile he disguises himself as the bungalow watchman to protect the old man's job. Sulekha finds out one day about the cover-up and is charmed on seeing Parimal's real personality. They both get married. Parimal loves playing pranks and is the antithesis of regular professors. Sulekha, on the other hand is in awe of her jijaji (brother-in-law) Raghavendra (Om Prakash). She considers her jijaji to be highly intellectual and looks upon him as her idol. Parimal develops an inferiority complex thanks to Sulekha's excessive praise of her jijaji and decides to prove that he is in no way a lesser mortal. Jijaji, meanwhile, has written a letter to Haripat bhaiyya (David Abraham Cheulkar) asking him to send a driver who can speak good Hindi because his present driver James D'costa (Keshto Mukherjee) uses improper grammar. This provides the perfect opportunity for Parimal to get to see and interact with jijaji. Parimal becomes Pyaremohan Ilahabadi, a motor-mouth driver who pretends to hate the English language and so speaks only Hindi. So begins the comedy of errors, as Parimal and Sulekha play prank after prank on the unsuspecting jijaji.

First they pretend that Sulekha is not happy with her new marriage, then they put across the impression that Sulekha is having an affair with Pyaremohan, and if that was not enough, they get Parimal’s long time friend Sukumar Sinha (Amitabh Bachchan), a Professor of English literature, to temporarily act as Parimal and portray him as a serious and boring lecturer, the complete opposite of Parimal's character. Pyaremohan's excessively refined Hindi, his habit of correcting jijaji's usage of the language and his persistence in getting jijaji to teach him English all serve to irk jijaji to no end and provide for many laughs. Parimal's long-time friend P K Srivastava (Asrani) is also party to the prank. His sister-in-law Vasudha (Jaya Bachchan) suspects fake 'Parimal' - Sukumar Sinha - of infidelity to his wife 'Sulekha' when he tries to get close to her. Sukumar falls in love with Vasudha who at first believed he was Parimal, but Sukumar reveals to her the real drama behind all this mix-up of situations. Lata Srivastava (Lily Chakravarty), P K Srivastava's wife, is also angered over the latest 'extra marital' love affair. But toward the end, Sukumar and Vasudha end up marrying in a temple where Haripat bhaiyya coerces Pyaremohan to 'kill' himself so that Parimal could surface. Thus jijaji comes to comprehend the whole enactment, finally admitting that he was truly fooled. The film revolves around the resolution of these funny mishaps.

हस्वाफस्वी - मराठी नाटक



 
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 हस्वाफस्वी
अभिनय - दिलीप प्रभावळकर, लीलधार कांबळी, कल्पना ब्रीड, एश्वंत कोयंदे, संजय सावंत, सुरेश ओतवनेकर.
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Hasvaphasvi' is a unique play in which thespian Dilip Prabhavalkar essays six different characters with consummate ease. The play was a great success and people fell in love with each of the six central characters viz. Dilip's popular TV character Chimanrao, Prince Wantung Pin-Pin from Chingpong Islands, street-smart chicken trader Nana Punje, charming lady Dipti Prabhavalkar-Patel-Lumumba, pseudo-westernized youth Bobby Mod and octogenarian singer-actor Krishnarao Herambkar. The play is sure treat to watch!

आराधना (१९६९)


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निर्देशक : शक्ति समानता
गीतकार : आनंद बक्शी
संगीतकार : एस. डी. बर्मन
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Arun - Rajesh Khanna loves Vandana Tripathi - Sharmila Tagore, they become very intimate, and as a result Vandana gets pregnant. Arun and Vandana have a quiet wedding ceremony in the temple, and Arun leaves to re-join his duties. Unfortunately, Arun is killed, and Vandana is unable to convince anyone of her marriage with him, and as such must re-locate to hide her shame. She gives birth to a baby boy, whom she must place in an orphanage to be adopted. Unfortunately for her, the boy, Suraj, is adopted by someone else. She manages to find out their whereabouts, and gets a job as a servant. When she is about to be molested by Shyam, a relative, Suraj witnesses this, and kills him. Vandana takes the blame for this killing and is sentenced to imprisonment, leaving her son and her life behind, for a crime she did not commit. When she returns everything has changed, and she is unable to locate the family where her son was. Fantastic music and a dashing leading man aside, the main reason why Aradhana works is perhaps because of the wonderful story line and direction

बावरची (१९७२)


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संगीतकार :  मदन मोहन
गीतकार : कैफ़ी आज़मी
लेखक : तपन सिन्हा और  :हृषिकेश मुखेर्जी
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The story is centered around the squabbling Sharma family, headed by their eccentric Daduji Harindranath Chattopadhyay, which has a dubious reputation the inability to retain a cook for more than a few months due to their ill treatment of their servants. The family's disrepute spreads to such an extent that no person wants to be employed as a cook in their home, ironically named Shanti Nivas (abode of peace).
Then one day a young man named Raghu (Rajesh Khanna) offers to work as a cook, and he is hired. Raghu quickly understands the family members' preferences and works to restore peace to Shanti Nivas, and soon the squabbles and arguments come to an end.
And then, one day, the Sharmas find the family jewels and Raghu missing. Actually he was planning a union between the young lady member of the family with a suitable boy. He stole the jewels to give it to the boy who could then restore them to the family. It helped to increase the boy's stature in the family.
Actually Raghu was a professor by profession. He had learnt dance, music and cooking. He gave up his profession after seeing so many families in despair and not living in peace. He made his motto of life to work in these kinds of families and teach them the value of small moments of happiness and love and thus making peace again.
In the end it is shown that he is on his way to find some another family and fix it.

दसविधानियाँ (२००८)


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निर्देशकक : शशांत शाह
गीत/संगीत : कैलाश खेर

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Amar Kaul, an obedient son and a man of extra ordinary schedules and routines who had given up all his dreams and love of his life for pursuing his duties to his momma.

One day he finds out that he is terminally ill and decides to live and fulfill all his incomplete wishes and makes a list of 10 things to do before his demise.

This list includes to teach a lesson to his boss, propose the girl he always loved, learning guitar, meet his childhood friend who is settled in Russia now, Making love to a woman, and some other.

रात गयी बात गरात गयी बात गयी (२००९)यी (२००९)


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निर्देशक : सौरभ शुक्ला
 लेखक : अख्यार ख़ान
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Raat Gayi Baat Gayi is about three couples and a keen observation on the modern day marriage. Rahul wakesup with a bad hangover after a party the night before. There he had met a sexy young woman- Sophia. They got drunk and there were sparks flying. But Rahul doesn't remember what happened after that. Did they... go all the way? His wife, Mitali, is in particularly bad mood this morning, and Rahul suspects that she might know about his little escapade last night. Rahul starts chasing his night- trying to retrieve it- trying to find out what really happened. His friends Saxena and Amit Are going through their own marritial crises of sorts. Driven to his wit's end he realizes he must seek Sophia out to restore his Sanity.

कभी मैं कहू कभी तुम कहो


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यह क्या हो गया ?

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सपना मेरा सॅचा हो गया
कभी मैं कहूँ, कभी तुम कहो
के मैने तुम्हे यह दिल दे दिया

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कभी मैं सुनूँ, कभी तुम सुनो
के मैने तुम्हे यह दिल दे दिया

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कभी मैं कहूँ, कभी तुम कहो
के मैने तुम्हे यह दिल दे दिया
पास पास हम साथ साथ यूँ बैठे रहे
एक दूसरे से यही कहते रहे

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पास पास हम साथ साथ यूँ बैठे रहे
एक दूसरे से यही कहते रहे

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कभी मैं कहूँ, कभी तुम कहो
के मैने तुम्हे यह दिल दे दिया

++
कभी मैं सुनूँ, कभी तुम सुनो
के मैने तुम्हे यह दिल दे दिया

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चलते रहे, उड़ते रहे, हम बहते रहे

++
एक दूसरे से यही कहते रहे

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कभी मैं कहूँ, कभी तुम कहो
के मैने तुम्हे यह दिल दे दिया

++
कभी मैं सुनूँ, कभी तुम सुनो
के मैने तुम्हे यह दिल दे दिया

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दर्द-ए-दिल, दर्द-ए-जिगर हम सहते रहे
एक दूसरे से यही कहते रहे

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दर्द-ए-दिल, दर्द-ए-जिगर हम सहते रहे
एक दूसरे से यही कहते रहे

+
कभी मैं कहूँ, कभी तुम कहो
के मैने तुम्हे यह दिल दे दिया

++
कभी मैं सुनूँ, कभी तुम सुनो
के मैने तुम्हे यह दिल दे दिया

+
के मैने तुम्हे यह दिल दे दिया

++
के मैने तुम्हे यह दिल दे दिया

+
के मैने तुम्हे यह दिल दे दिया
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संगीतकार : शिव - हरी
स्वर : लता मंगेशकर और हरिहरन