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राग सोहनी - उस्ताद रशीद खान
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Showing posts with label Hindustaani Vocal. Show all posts
Showing posts with label Hindustaani Vocal. Show all posts
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थाट - कल्याण
जाती - पाडाव संपूर्ण
वादी स्वर - सा
संवादी - प
समय - आधी रात
आरोह - सा ग म प ध नी प ध म प सा
अवरोह - सां नी ध प म प ग म रे सा
जाती - पाडाव संपूर्ण
वादी स्वर - सा
संवादी - प
समय - आधी रात
आरोह - सा ग म प ध नी प ध म प सा
अवरोह - सां नी ध प म प ग म रे सा
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स्वर : पं. उपेंद्र भट
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Malkaush (also spelled Malkauns) is a raga in Indian classical music. It is one of the most ancient ragas of Indian classical music. The equivalent raga in Carnatic music is called Hindolam, not to be confused with the Hindustani Hindol.
The name Malkaush is derived by the combination of Mal and Kaushik, which means he who wears serpents like garlands—the god Shiva. However, the Malav-Kaushik mentioned in classical texts does not appear to be the same as the Malkauns performed today. The raga is believed to have been created by goddess Parvati (the wife of Shiva) to calm Shiva, when the lord Shiva was outraged and was not calming down after Tandav in rage of Sati's sacrifice.
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Thaat
Bhairavi
Jaati
Jaati
Audav -
Audav
Vadi Swar
Vadi Swar
म (मध्यम )
Samvadi Swar
Samvadi Swar
सा (षडाज)
Time
Third half of the night
Aaroh
Time
Third half of the night
Aaroh
नि॒॰ सा, ग॒ म,
ध॒ नि॒ सां ।
Avroh
Avroh
सां नि॒
ध॒ म ग॒ म ग॒ सा ।
Pakad
Pakad
म, ग॒, म
ध॒ नि॒ ध॒ , म, ग॒ , सा
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अणुरेणिया थोकडा |
तुका आकाशाएवढा ||१||
गिळुन सांडिले कलेवर |
भव भ्रमाचा आकार ||२||
सांडिली त्रिपुटी |
दीप उजळला घाटी ||३||
तुका म्हणे आता |
उरलो उपकारापुरता ||४||
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रचना : संत तुकाराम
संगीत : राम फाटक
स्वर : पंडित भीमसेन जोशी
राग : मालकौंस
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Thumri is a common style of light classical music. The text is romantic and devotional in nature, and usually revolves around a girl's love for Krishna. The language is a dialect of Hindi called Brij bhaashaa. This style is characterized by a greater flexibility with the raag. The compositions are usually set to kaherava of 8 beats, addha tal of 16 beats, or dipchandi of 14 beats. It arose in popularity during the 19th century.
This thumbri is a combined rendition by Laxmi Shankar and Nirmala Devi. It depicts the passion of love, togetherness and feelings far from reality.
This thumbri is a combined rendition by Laxmi Shankar and Nirmala Devi. It depicts the passion of love, togetherness and feelings far from reality.
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दुख में सुमिरन सब करे
ऐसी वानी बोलिये...
बड़ा हुआ तो क्या हुआ
बोले बोल विचारी के...
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उस्ताद रशीद ख़ान
ऐसी वानी बोलिये...
बड़ा हुआ तो क्या हुआ
बोले बोल विचारी के...
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उस्ताद रशीद ख़ान
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