Showing posts with label Marathi Movies. Show all posts
Showing posts with label Marathi Movies. Show all posts

२२ जून १८९७


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संगीतकार : आनंद मोडक

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During 1896-97, there was an outbreak of plague in Pune. Marital law was imposed. There was intense popular resentment against Mr.Rand, the British Plague Commissioner due to his harsh measures for forcibly evacuating the people.
An agitated Damodar Chapekhar and his two brothers, militant followers of Tilak, decided to take revenge. They killed Mr.Rand at night while he was returning from the Govt. House after participating in the 60th anniversary celebrations of Queen Victoria's Coronation, held on June 22, 1897.
 
A massive manhunt was launched with former colleagues as informers. Damodar was hanged, despite Tilak's personal appeal to the British. When the youngest brother, Vasudev, killed the informer, he and the remaining brother Balkrishna, were also hanged. The Chapekar brothers were among the first martyrs of India's Freedom Struggle.
 
The Chapekar brothers were among the first martyrs of India's Freedom Struggle.
A historic film and winner of two National and two State awards, 22nd June 1897 has an illustrious crew behind its making. With dialogues by Vijay Tendulkar and screenplay co-written by Shankar Nag, the film was the directorial debut of the husband-wife duo of Nachiket and Jayoo Patwardhan.

धुंद होते शब्द सारे !


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धुंद होते शब्द सारे, धुंद होत्या भावना
वार्यासंगे वाहता त्या फुलापाशी थांब ना
सई ये रमुनी सार्‍या जगात रिक्त भाव असे
कैसे गुंफू गीत हे ?
धुंद होते शब्द सारे !

मेघ दाटून गंध लहरुनि बरसला मल्हार हा
चांदराती भाव गुंतुनी बहरला निशिगंध हा
का कळेना काय झाले, भास की आभास सारे
जीवनाचा गंध हा, विश्रांत हा, शांत हा !
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गीत : कौस्तुभ सावरकर
संगीत : अमार्त्य राहुल
स्वर : रवींद्र बिजूर
चित्रपट : उत्तरायण

गोजिरी


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चित्रपाट : गोजिरी (२००७)
निर्देशक : मानसी मेनहेनद्रे

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Tatya - Arun Nalawade lives a middle-class lifestyle in a small village of the Konkon Maharashtra, along with his daughters, Gojiri - Madhura Velankar and mentally challenged Suha. On Suha's birthday, while picking mangoes, Gojiri falls down the tree, hurts her head, and is hospitalized. Because of the accident Gojiri damages her temporal lobe and as a result the contact between her short and long term memory has been lost, so she can only remember what occurred the day before, and will virtually re-live her life as 'groundhog' days. One fine day Shikarerao - Sunil Barve comes to this village and falls in love with Gojiri and would like to marry her. He finds Gojiri receptive and even proposes to her through Nanu - Abhijeet Chavan, his real estate agent, who is attempting to sell Shikare rao's 'haunted' property. Nanu tells him the truth about Gojiri, but he is smitten and is unable to let go. Watch what happens when Shikarerao persists in wooing Gojiri, is beaten by angry youth, and then reprimanded by the village elders/Panchayat for insulting and molesting Gojiri, and the impact this will have on him, Tatya and Gojiri herself?

मी मन आणि द्रुव


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 निर्देशक : आदिती देशपांडे

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Ranjeet (Mahendra Agashe) is a hard working journalist and is married to Mann (Ketaki Thatte), his childhood sweet heart. Ranjeet is a complete family man, loves his wife and has a son named Dhruv (Dhruv Pendse). Trouble brews in their family, when Mann decides to take up a career and with the influence of her friend (Smita Tambe) takes up a job in Bangalore, away from her husband and child. Ranjeet is shattered by his wife's choice but his focus on writing makes him a successful writer. But will Mann return to her husband and son? Will the family tension lead to a divorce? Can their marriage be saved for the sake of their son?

श्वास (२००४)

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निर्देशक : संदीप सावंत
संगीतकार : भास्कर चंदावरकर

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An old villager -- Vichare (Arun Nalawade) brings his 8 year old grandson Parshuraam (Ashwin Chitale) also known as Paarsha to a doctor in Mumbai to diagnose the child's eyes. On the first day Vichare is asked to sign usual papers before admission in hospital. Upon asking, he learns that the papers say the doctor would not be responsible if anything goes wrong. Vichare, the rustic grandfather finds these terms unacceptable. A medical social worker named Asawari (Amruta Subhash) who is present there, quickly comes in and explains the practice to Vichare. She calms down Vichare and accompanies them during the first appointment with the doctor. Dr. Sane (Sandeep Kulkarni) quickly diagnoses child as a victim of the rare retinoblastoma - a rare retinal cancer. After consulting with other colleagues in US and UK doctor finds that only way to save child's life is to perform an operation that will leave the child blind. He cannot be operated without this knowledge as it was against ethics. Asawari who helps the doctor in convincing the grandfather and the grandson, tries to keep track of Vichare and persuades him not fall prey to other doctors promising false medicines. She tries to befriend Parshya in order to explain him what is going to happen. However, she finds it is too difficult to explain to him that he will turn blind.

The film then depicts the grandfather's struggle to accept the reality that the only way to save his grandson is at the cost of his eyesight. The film has been applauded for scenes which depict the difficulty faced by the doctors to explain to grandfather and Parshya that nothing can be done and the truth is but inevitable. It shows the medical fraternity in a very positive light, with the doctors and nurses being extremely supportive and doing the best they can, and helping the village with the best facilities. The last shot where Parshya returns home wearing dark glasses, waving to his family and friends from the boat was widely appreciated by film critics.

पक पक पकाक


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निर्देशक : गौतम जोगळेकर
लेखक : गौतम जोगळेकर
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Pak Pak Pakaak is a Marathi movie about a small naughty boy and a supposedly ghost living in a forest. The story is conceptualized by Sai Paranjpe and is very similar to her 2001 movie 'Bhaago Bhoot'. The story is of a parent-less little boy, chiklu who plays pranks on everybody in the village. Her old grandmother is also fed up with his activities that she resorts to punish him now and then. The village is surrounded by a big forest which inhabits a ghost named as ?bhootya?. The villagers are afraid to venture into the forest alone in the fear that they will be harmed by bhootya. Bhootya is actually a herbal doctor living in isolation from the society. He has been wronged and his wife killed which makes him loose hope and trust in humanity.Chiklu while playing another prank on his teacher ventures into the jungle to find he facing Bhootya. After some confrontation, Chiklu and Bhootya accept each other. Bhootya teaches Chiklu to be good and Chiklu convinces him to come back to the society which he had shunned long back. Just as Chiklu changes, he understands the changing attitude of others toward him. He understands that earlier people who had cursed him were appreciative of his behavior.The journey of Chiklu from being a naughty brat to a nice well-mannered boy is what constitutes the rest of the movie.In spite of having a small boy as a central character, it cannot be termed as a childrens film. I would call it rather a fun film to be enjoyed by everybody.

गंध - The Smell


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निर्देषक : सचिन कुंदाळकर
संगीतकार : शालीएनद्रा बर्वे

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Gandha is a unique film in itself as the concept of depicting the essence of smell through films is a rear phenomenon. I do not recollect any film which depicts the very essence of smell. It is a tale of three inter-woven stories. While one is a comical love story, the second is about a ruptured relationship about a HIV postive man and his wife and last story is a rural based drama. What made me sit up and write about this movie is the unique manner in which these stories capture the essence of smell. For example the very reason of attraction between the girl and the boy in the first story is because the boy has a very mesmerising scent to his body.Simple concept but beatifully portrayed. A must watch for all film lovers.