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राग सोहनी - उस्ताद रशीद खान
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Showing posts with label Raag. Show all posts
Showing posts with label Raag. Show all posts
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Malhaar
is an old raag in Indian classical music. Malhaar is associated with
the atmosphere of torrential rains. Besides the basic Shuddha Malhaar,
which was the original Malhaar, there are several Malhaar-related raags
that use the Malhaar signature phrase m
(m)R (m)R P, including Miyaan Malhar, Ramdasi Malhaar, Gaud Malhaar, Sur
Malhaar, Des Malhaar, Nat Malhaar, and Meera ki Malhaar.
According to legend, raag Malhaar is so powerful that when sung, it can
induce rainfall. Although this has not been scientifically proved yet,
it is possible that the rainfall that the legends speak of is in fact
metaphorical of the state of mind brought about by the recital of the
raag.
There are many written accounts of Raag Malhar. Many
great artists of the medieval period and much earlier periods used to
sing this raag. Tansen, Baiju Bawra, Baba Ramdas, Nayak Charju, Miyaan
Bakhshu, Tantarang, Tanras Khan, Bilas Khan (son of Tansen), Hammer Sen,
Surat Sen, and Meera are among the singers who are said to have been
capable of starting rains using various kinds of Raag Malhar.
According to a legend, once the Mughal emperor Akbar asked his court
musician Tansen to sing Raga Deepak, the raag of fire. The effect was
such that all the lamps in the courtyard lit up themselves, and Tansen's
body became so hot that he had to sit in the nearby river to cool
himself. However, the river began to boil, and it became apparent that
Tansen would soon boil to death. He set out on a search to find someone
who could sing Raga Malhar to cure him. In due course he reached
Vadnagar, in Gujarat, where he found two sisters, Tana and Riri, whom he
asked for help. They agreed to sing Raag Malhar to cure him. When they
sang the Raag, rains came down in torrents, which cooled Tansen's body
immediately.
Listening to this gem video, connoisseurs will be moved by the
manificence of Raag Sur Malhaar, Pandit Bhimsen Joshi in his own
innovation. The themes are live, sprightly, ornamental yet virile. Each
unfolds a sound visual that exudes a baroque-style dignity and grandeur
secured through steady pregression and precise accentuation of its
salient notes in the slow movement. A variety of cascadeing "taans" lend
an evocative quality to the "drut" singing. This is a sub-melody of the
celebrated raag Malhaar and is credited to the eminent musician and
saint Surdas and in the second quarter of the night.
थाट : काफ़ी
जाती : औदव - शदव
वादी स्वर : म
संवादी स्वर : सा
समय : मौसम
आरोह : सा रे म प नी सां ।
अवरोह : सां नी॒ ध म प म रे सा ।
I compiled
Raag Sur Malhaar rendered by Pandit Bhimsen Joshi in 'Garjat Aaye' in
Khayal Vilambit ektaal followed by 'Badarwa barsan lage' in Khyal Drut
tritaal and tabla sangat by Nana Muley.
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थाट - कल्याण
जाती - औधव - सम्पूर्ण
वादी स्वर - ग
संवादी स्वर - नी
समय - श्याम
आरोह - नी़ सा ग म प प नी सां ।
अवरोह - सां नी ध प मे ग, मे ग रे सा ।
पकड - ग मे ग रे सा, सा म ग सा ग मे प ।
जाती - औधव - सम्पूर्ण
वादी स्वर - ग
संवादी स्वर - नी
समय - श्याम
आरोह - नी़ सा ग म प प नी सां ।
अवरोह - सां नी ध प मे ग, मे ग रे सा ।
पकड - ग मे ग रे सा, सा म ग सा ग मे प ।
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थाट - कल्याण
जाती - पाडाव संपूर्ण
वादी स्वर - सा
संवादी - प
समय - आधी रात
आरोह - सा ग म प ध नी प ध म प सा
अवरोह - सां नी ध प म प ग म रे सा
जाती - पाडाव संपूर्ण
वादी स्वर - सा
संवादी - प
समय - आधी रात
आरोह - सा ग म प ध नी प ध म प सा
अवरोह - सां नी ध प म प ग म रे सा
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स्वर : पं. उपेंद्र भट
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Malkaush (also spelled Malkauns) is a raga in Indian classical music. It is one of the most ancient ragas of Indian classical music. The equivalent raga in Carnatic music is called Hindolam, not to be confused with the Hindustani Hindol.
The name Malkaush is derived by the combination of Mal and Kaushik, which means he who wears serpents like garlands—the god Shiva. However, the Malav-Kaushik mentioned in classical texts does not appear to be the same as the Malkauns performed today. The raga is believed to have been created by goddess Parvati (the wife of Shiva) to calm Shiva, when the lord Shiva was outraged and was not calming down after Tandav in rage of Sati's sacrifice.
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Thaat
Bhairavi
Jaati
Jaati
Audav -
Audav
Vadi Swar
Vadi Swar
म (मध्यम )
Samvadi Swar
Samvadi Swar
सा (षडाज)
Time
Third half of the night
Aaroh
Time
Third half of the night
Aaroh
नि॒॰ सा, ग॒ म,
ध॒ नि॒ सां ।
Avroh
Avroh
सां नि॒
ध॒ म ग॒ म ग॒ सा ।
Pakad
Pakad
म, ग॒, म
ध॒ नि॒ ध॒ , म, ग॒ , सा
Early in 1995, when Kankana was a child, she had the privilege to be introduced to Late Ustad Amir Khan of Indore. In a very informal gathering, the Late Maestro discovered an in-born musical talent, and a seven year old Kankana won his heart by skilfull attachment to the masterly tune of the Maestro. Eventually it became apparent that Amir Khan was looking for a disciple to whom he would impart his own ideas of music to be carried on to the next generation.
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Chandrakauns
Chandrakauns
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राम प्रभु आधार जगत के
राम जीवन आधार
राम एक आदर्श हमारे
वंदन करुऊँ हज़ार हो
वंदन करुऊँ हज़ार
श्री राम श्री राम
दो अक्षर की अमोघ शक्ति
महामंतरा है मंगल नाम
श्री राम श्री राम
श्री राम जाई राम जाई जाई राम
राम प्रभु आधार
अजानुबाहु वीर धनुर्धार शामाल कांति शरीर सुंदर
सुर नर पालक असुरा संहारक
भक्त जनों के हैं विश्राम
श्री राम राम प्रभुऊ आधार
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गायक :पं. भीमसेन जोशी
राम प्रभु आधार जगत के
राम जीवन आधार
राम एक आदर्श हमारे
वंदन करुऊँ हज़ार हो
वंदन करुऊँ हज़ार
श्री राम श्री राम
दो अक्षर की अमोघ शक्ति
महामंतरा है मंगल नाम
श्री राम श्री राम
श्री राम जाई राम जाई जाई राम
राम प्रभु आधार
अजानुबाहु वीर धनुर्धार शामाल कांति शरीर सुंदर
सुर नर पालक असुरा संहारक
भक्त जनों के हैं विश्राम
श्री राम राम प्रभुऊ आधार
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गायक :पं. भीमसेन जोशी
of
Gwaalher Gharanaa
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विभूषि श्रीमती मालिनी राजुरकर (१९४१ में पैदा हुई) एक ग्वालियर घराने की हिंदुस्तानी शास्त्रीय गायक संतोष व्यक्त किया. वह राजस्थान के राज्य में भारत में वृद्धि हुई. , उसके भविष्य के पति वसंतराव के एक चाचा गोविंद राजुरकर, शुरू में उसे संगीत सिखाया. वह तो आगे वसंतराव मालिनी. भारत में प्रमुख संगीत उत्सव, गुणिदाससम्मेलन (मुंबई), तानसेन समारोह (ग्वालियर) में शामिल किया गया है के तहत संगीत सीखा, सवाई गंधर्व समारोह (पुणे), शंकर लाल समारोह (दिल्ली), श्रीमती केसरबाई केरकर समारोह.
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| 01 Bhopali.mp3 |
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| 02 Shankara.mp3 |
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| 03 Sohoni.mp3 |
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| 04 Chhayanat.mp3 |
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| 05 Hameer.mp3 |
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| 06 Adana.mp3 |
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| 07 Kaushik Ranjani... |
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| 08 Tappa Khamaaj.m... |
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| 09 Salagwarali.mp3 |
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| 10 Bibhas.mp3 |
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| 11 Bhairavi Tappa ... |
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